She has to take medicine—see? The old woman, still with that terrible, square smile which was a smile of welcome stamped on her bony face, was waiting…Perhaps she said something.
The implications are ultimately ambiguous, if deeply pessimistic. At the same time, another claw to match drew her all the way into the room, and the next moment the door closed behind her.
Everything smelled wet—even the bare floor. This was a woman in a white uniform who looked as if she were cold; she had close-cut hair which stood up on the very top of her head exactly like a sea wave.
The nurse shrugged and rose. Her small lips suddenly dropped apart, and exposed a half circle of false teeth with tan gums. With the fingers of one hand she touched a very dirty cameo pin on her chest.
She had a bunchy white forehead and red eyes like a sheep. You never were born! A sheep or a germ? The story ends with her outside of the retirement home biting into an apple, which has led others to see a biblical theme at work, of innocence tarnished and sent packing into the fallen world.
How dark it was! She jumped on and took a big bite out of the apple. Marian wondered how she had ever succeeded in placing it there, how she could ever have reached so high.
It was the first time such a thing had happened to Marian. Isolation, and images of isolation are reinforced throughout the paragraph. The day is cold.
It was mid-morning—a cold, bright day. Marian, the little girl, did not tell her that this visit would give her a minimum of only three points in her score.
Her best stories have a powerful impressionistic quality in which tone, imagery and character become indistinguishable from plot. She is, in other words, ill-prepared for and blithely ignorant of the devastation of old age, of failing health, of loneliness and death, all of which are symbolized and foreshadowed in this opening passage by the image of a monolithic retirement home which Welty conjures as a kind of sinister internment camp.
As though at an imperial command, the bus ground to a stop.
This decided the nurse. Marian stood tongue-tied; both hands held the potted plant. You might think this sets the stage for a grim tale that sentimentalizes the elderly as oppressed victims of abuse and neglect.
She was being disingenuous, however, by that response. Soft whimpers came out of the small open mouth. There was a smell in the hall like the interior of a clock.
The girl is mocked and insulted by them, treated with the same kind of indifference that the story seems to imply we collectively treat our elderly in and out of society. The old woman in bed said nothing at all, and she did not look around.
Marian leaned back rigidly in her chair. Welty, who had little regard for academic critics—she was essentially self-taught as a writer—said the impetus behind the story was simply her own childhood memories of being creeped out by old ladies in retirement homes.
But Welty steers clear of easy symbols and this never remotely resembles a screed on the theme of ageism. She tried to think but she could not. The little girl put her cap on. There was loose, bulging linoleum on the floor.
As she walked vaguely up the steps she shifted the small pot from hand to hand; then she had to set it down and remove her mittens before she could open the heavy door. Her adjectives set a tone of discomfort and unease. As she walked vaguely up the steps she shifted the small pot from hand to hand; then she had to set it down and remove her mittens before she could open the heavy door.
The nurse, after another triple motion to consult her wrist watch, asked automatically the question put to visitors in all institutions: Your head is empty, your heart and hands and your old black purse are all empty—you showed it to me.- A Visit of Charity In the short story of "A Visit of Charity" by Eudora Welty, a fourteen-year-old girl visits two women in a home for the elderly to bring them a plant and to earn points for Campfire Girls.
“A Visit of Charity” is typical of Welty’s early short fiction, both in its use of a tight metaphoric structure and in its focus on the problem of love and separateness, which Welty has made.
Lessons Learned in Eudora Welty's “The Little Store” Little Charity in Eudora Welty's A Visit of Charity In the short story of "A Visit of Charity" by Eudora Welty, a fourteen-year-old girl visits two women in a home for the elderly to bring them a plant and to earn points for Campfire Girls.
Welty implies through this story, however.
A Visit of Charity ~ A Classic American Short Story by Eudora Welty () It was mid-morning—a very cold, bright day. Holding a potted plant before her, a girl of fourteen jumped off the bus in front of the Old Ladies’ Home, on the outskirts of town. She wore a red coat, and her straight.
“A Visit of Charity” by Eudora Welty. It was mid-morning—a very cold, bright day.
Holding a potted plant before her, a girl of fourteen jumped off the bus in front of the Old Ladies’ Home, on the outskirts of town.
A VISIT OF CHARITY by Eudora WetlyIn this short story what is the (theme - conflict - symbols)? I am not familiar with this story, but enotes has a page on it that will help you.Download