Programme music became somewhat more common; A harmonic structure based on movement from tonic to subdominant or alternative keys rather than the traditional dominantand use of more elaborate harmonic progressions Wagner and Liszt are known for their experimental progressions ; A greater emphasis on melody to sustain musical interest.
Romantic is a derivative of romant, which was borrowed Romantic period music essay the French romaunt in the sixteenth century. Composers of the Romantic Era, like Elgarshowed the world that there should be "no segregation of musical tastes" Youngand that the "purpose was to write music that was to be heard" Young The reaction to the standard literary practice and critical norms of the eighteenth century occurred in many areas and in varying degrees.
Of the writers of the second generation, only Byron enjoyed fame while he was alive, more fame than any of the other romantic writers, with perhaps the exception of Scott, but Keats and Shelley had relatively few readers while they were alive.
The humanitarianism that had been developing during the eighteenth century was taken up enthusiastically by the romantic writers.
The eccentric and the singular took the place of the accepted conventions of the age. Individualism replaced objective subject matter; probably at no Romantic period music essay time has the writer used himself as the subject of his literary works to such an extent as during the romantic period.
How the word romantic came to be applied to this period is something of a puzzle. The major writers of the second romantic generation were primarily poets; they produced little prose, outside of their letters.
Characteristics often attributed to Romanticism: Wordsworth, the great champion of the spiritual and moral values of physical nature, tried to show the natural dignity, goodness, and the worth of the common man. At first it meant only "like the old romances" but gradually it began to carry a certain taint.
The combination of new interests, new attitudes, and fresh forms produced a body of literature that was strikingly different from the literature of the eighteenth century, but that is not to say that the eighteenth century had no influence on the romantic movement.
It was not until the Victorian era that Keats and Shelley became recognized as major romantic poets. Writers tended to regard themselves as the most interesting subject for literary creation; interest in urban life was replaced by an interest in nature, particularly in untamed nature and in solitude.
It was also through the writings of Hoffmann and other German authors that German music was brought to the centre of musical Romanticism Samson Practically all of the seeds of the new literary crop had been sown in the preceding century. The classical period often used short, even fragmentary, thematic material while the Romantic period tended to make greater use of longer, more fully defined and more satisfying themes; The use of a wider range of dynamicsfor example from ppp to fff, supported by large orchestration ; Using a larger tonal range exp.
Smetana also composed eight nationalist operas, all of which remain in the repertory. The standard eighteenth-century heroic couplet was replaced by a variety of forms such as the ballad, the metrical romance, the sonnet, ottava nina, blank verse, and the Spenserian stanza, all of which were forms that had been neglected since Renaissance times.
His mazurkas and polonaises are particularly notable for their use of nationalistic rhythms. This event had a profound effect on music: The new and innovative instruments could be played with greater ease and they were more reliable Schmidt-Jones and Jones3. Many times their audience was small, composed mostly of the upper class and individuals who were knowledgeable about music Schmidt-Jones and Jones3.
For example, the Industrial Revolution was in full effect by the late 18th century and early 19th century. Smith in his Words and Idioms, connoted "false and fictitious beings and feelings, without real existence in fact or in human nature"; it also suggested "old castles, mountains and forests, pastoral plains, waste and solitary places" and a "love for wild nature, for mountains and moors.
Originally the word was applied to the Latin or Roman dialects used in the Roman provinces, especially France, and to the stories written in these dialects. And it should be noted that these poets did not recognize themselves as "romantic," although they were familiar with the word and recognized that their practice differed from that of the eighteenth century.
In Germany, especially, the word was used in strong opposition to the term classical. All three were influenced by the work of the writers of the first generation and, ironically, the careers of all three were cut short by death so that the writers of the first generation were still on the literary scene after the writers of the second generation had disappeared.
Keats and Shelley belong to the second generation, along with Byron, who was older than they were by a few years. The romantic writers responded strongly to the impact of new forces, particularly the French Revolution and its promise of liberty, equality, and fraternity.
Composers before this period lived on the patronage of the aristocracy. During this time, literature began to move in channels that were not entirely new but were in strong contrast to the standard literary practice of the eighteenth century.
Musical nationalism During the Romantic period, music often took on a much more nationalistic purpose. Reason no longer held the high place it had held in the eighteenth century; its place was taken by imagination, emotion, and individual sensibility.
Another striking difference between the two generations is that the writers of the first generation, with the exception of Blake, all gained literary reputations during their lifetime.
The romantic writers turned back to their own native traditions. In music there is a relatively clear dividing line in musical structure and form following the death of Beethoven. The first generation was born during the thirty and twenty years preceding ; the second generation was born in the last decade of the s.
Classical literature quickly lost the esteem which poets like Pope had given it.
In the first of these essays Hoffmann traced the beginnings of musical Romanticism to the later works of Haydn and Mozart.At this period, the arts of literature and painting also began to have an influence on music. While Classicism had a more conservative creativity, with an emphasis on balance, control, proportion, symmetry and restraint, Romanticism was a radical kind of expression.
It was a search for the new, the curious, and the adventurous. Romantic Period Music research papers discuss the artistic movement that greatly affected the development of western music in the late 18th and early 19th centuries. The music of the romantic period is unique in style and artistic design.
Characteristics of the Romantic Music Period Essay; Characteristics of the Romantic Music Period Essay.
Words: Pages: Open Document. It is arguable that some Romantic music made greater demands upon its listeners than did music of previous historical periods.
What were those demands? Romantic Period Essay example. Romantic music is a period of Western classical music that began in the late 18th or early 19th century. It is related to Romanticism, the Western artistic and literary movement that arose in the second half of the 18th century, and Romantic music in particular dominated the Romantic movement in Germany.
Drastic changes in the arts took place over the course of this time period. During this movement, much emphasis was placed on emotion and imagination in the arts. Prior to the Romantic Period, music had been seen more as recreation and njoyment than as an integral part of culture.
The Romantic Period, lasting from about tosaw the beginning of great individualism in music styles. The era consisted of great contrasts in both musical literature and musical esthetics, the branch of philosophy that deals with beauty and taste.Download